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Música de Philippines
Javanese and Balinese gamelan, Thai piphat, Khmer pinpeat, Vietnamese ca trù and đàn bầu, Burmese saung harp, Filipino kulintang and Malay dikir barat.
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Breve historia
Original Pilipino Music (OPM)
Original Pilipino Music, more commonly referred to as OPM, a commercial acronym coined by Danny Javier of the APO Hiking Society, originally referred only to the pop genre of music from the Philippines, predominantly ballads and novelty numbers, that became popular after the wane of its direct 1970s commercial predecessor, Manila sound. The term "OPM" became a catch-all description for all popular music of any genre composed, performed and recorded by Filipinos in the Philippines, originating from the Philippines. Before the emergence of OPM in the 1970s, Philippine popular music through the 1950s and 1960s encompassed songs, mostly with vernacular lyrics and frequently with cinematic themes as recorded by artists such as Sylvia La Torre, Diomedes Maturan, Ric Manrique Jr., Ruben Tagalog, Helen Gamboa, Vilma Santos, Edgar Mortiz, and Carmen Camacho, among many others. There were exceptions, however, such as Pilita Corrales, dubbed Asia's Queen of Song, whose popular releases included Cebuano, Tagalog, English and Spanish adaptations.
Música popular
Contemporary period
Inspired by American neoclassism, contemporary methods were employed by Lucrecia Kasilag and Eliseo Pajaro in their classical works. However, it was Jose Maceda that made a Filipino expressionism that is distinct from the traditional European forms of classical music. Between the late 20th century and the 21st century, notable classical composers include Ramon Pagayon Santos and Francisco Feliciano. Groups who specialized in classical music include the Philippine Youth Orchestra, Manila Symphony Orchestra, and the UP Symphony Orchestra.
Leer el artículo completo: Music of the Philippines Texto bajo CC BY-SA 4.0
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Lo que se escucha en Philippines en 2026
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Radio de Philippines
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