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Música de Russia
Polish mazurka and oberek, Hungarian táncház and csárdás, Romanian doina and taraf lăutari bands, Klezmer, Ukrainian bandura and Russian byliny.
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Breve historia
History
Written documents exist that describe the musical culture of the Rus'. The most popular kind of instruments in medieval Russia were thought to have been string instruments, such as the gusli or gudok. Archaeologists have uncovered examples of these instruments in the Novgorod region dating as early as 11th century. (Novgorod republic had deep traditions in music; its most popular folk hero and the chief character of several epics was Sadko, a gusli player). Other instruments in common use include flutes (svirel), and percussive instruments such as the treshchotka and the buben. The most popular form of music, however was singing. Bylinas (epic ballads) about folk heroes such as Sadko, Ilya Muromets, and others were often sung, sometimes to instrumental accompaniment. The texts of some of these epics have been recorded. In the time the Tsardom of Russia, two major genres formed Russian music: the sacred music of the Orthodox Church and secular music used for entertainment.
Música popular
20th century: Soviet music
After the Russian Revolution, Russian music changed dramatically. The early 1920s were the era of avant-garde experiments, inspired by the "revolutionary spirit" of the era. New trends in music (like music based on synthetic chords) were proposed by enthusiastic clubs such as Association for Contemporary Music. Arseny Avraamov pioneered the graphical sound, and Leon Theremin invented thereminvox, one of the early electronic instruments. However, in the 1930s, under the regime of Joseph Stalin, music was forced to be contained within certain boundaries of content and innovation. Classicism was favoured, and experimentation discouraged. (A notable example: Shostakovich's veristic opera Lady Macbeth of the Mtsensk District was denounced in Pravda newspaper as "formalism" and soon removed from theatres for years). The musical patriarchs of the era were Sergei Prokofiev, Dmitri Shostakovich, Aram Khachaturian and Alexander Alexandrov. The latter is best known for composing the Anthem of the Soviet Union and the song "The Sacred War".
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