Musique de Uzbekistan

Racines et traditions

Classical music of Uzbekistan

The music of what is now Uzbekistan has a very long and rich history. Shashmaqam, a Central Asian classical music style, is believed to have arisen in the cities of Bukhara and Samarqand in the late 16th century. The term "shashmaqam" translates as six maqams and refers to the structure of music with six sections in different musical modes, similar to classical Persian traditional music. Interludes of spoken Sufi poetry interrupt the music, typically beginning at a low register and gradually ascending to a climax before calming back down to the beginning tone. After Turkestan became part of the Russian Empire in the 19th century, first attempts were taken to record national melodies of Turkestan. Russian musicians helped preserve these melodies by introducing musical notation in the region. In the 1950s, Uzbek folk music became less popular, and the genre was barred from radio stations by the Soviets. They did not completely dispel the music. Although banned, folk musical groups continued to play their music in their own ways and spread it individually.

Musique populaire

Contemporary music of Uzbekistan

Many forms of popular music, including folk music, pop, and rock music, have particularly flourished in Uzbekistan since the early 1990s. Uzbek pop music is well developed, and enjoys mainstream success via pop music media and various radio stations. Many Uzbek singers such as Sevara Nazarkhan, Sogdiana Fedorinskaya, and Rayhon Ganieva have achieved commercial success not only in Uzbekistan but also in other CIS countries such as Kazakhstan, Russia, and Tajikistan.

Currently rock music enjoys less popularity than pop music in Uzbekistan. An Uzbek metal band who has some degree of recognition is Night Wind, a folk metal group. Other Uzbek metal groups include Iced Warm, Salupa, Zindan, and Agoniya (Russian: Агония).