Syriaの音楽

ルーツと伝統

Syrian classical Arabic music

Syria's capital, Damascus, and the northern metropolis of Aleppo have long been one of the Arab world's centers of classical Arab music. In 1947 The Institute for Eastern Music was established, and in 1961 an institute teaching music was opened under the direction of Solhi al-Wadi. In 1963 a local branch of the Institute for Eastern Music was opened in Aleppo that included faculties for Western as well as for Arab music. In 1990, the Higher Institute of Music in Damascus was established as a conservatory for both Western and for Arabic music.

A typical Syrian classical genre is the Muwashshah that goes back to around the 9th or 10th century. Performed by a lead singer or a choir, it consists of a classical form of Arabic poetry set to music. It usually consists of a multi-lined strophic verse poem written in classical Arabic, mostly consisting of five stanzas, which alternates with a refrain with a running rhyme. The muwashshah is usually opened with one or two lines matching the second part of the poem in rhyme and meter. The Al-Thurath ensemble specializes in this genre.

ポピュラー音楽

Modern amalgamation and diaspora

Due to the rise in geopolitical conflict in the Middle East, there has been an amalgamation of cultures in the urban centres of the Levant. This has created a mixture of cultures that have borrowed styles and sounds from one another with a mixture of classical music and instruments, Bedouin genres and poetical traditions, and the more subtle yet distinct differences that each community and region has in the Levant. This amalgamation has been going on for many centuries as a product of the historical conflicts that have happened throughout Middle Eastern history. This has made Syrian traditions change in style while also becoming necessary to practice for the survival of culture and traditions as was/ is the case for Syriac chant. There is now Syrian music played throughout the world due to the historical diaspora and movement by the Syrian people. As in other countries, modern Syrian music notably contrasts its folk music. It uses an orchestra of mostly European instruments with one lead vocalist and sometimes a backup chorus. This type of music is very popular in the Middle East.