Chile의 음악
Panpipe (siku) and charango music of the altiplano, huayno, Afro-Peruvian landó and festejo, Ecuadorian pasillo, Chilean nueva canción.
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간략한 역사
Development of music in Chile
Chilean music is closely related with Chile's history and geography. The landscape, climate and lifestyle vary greatly from north to south and have a deep impact on cultural traditions. Popular music in the colonial period and during the struggle for independence was highly influenced by military bands and by the church. There were few musical instruments and very little opportunity to learn to play an instrument outside of military bands or churches if you were not from a wealthy family.
In the nineteenth century, with the end of the colonial period and the transition to an independent republic, music and other aspects of culture gradually began to acquire a national identity. During the first years of the republic, most of the leading musicians came from abroad. In 1823, a wave of professional musicians came to Chile, including: Bartolome Filomeno and José Bernardo Alzedo from Lima, Peru; Juan Crisóstomo Lafinur from Córdoba, Argentina; and the Spaniard Isidora Zegers, one of the most important figures of Chilean music of this period.
대중음악
Twentieth century
By the twentieth century Chile had established its own musical scene, but, as in most of the American countries, the national identity had struggled to assert itself in a world where European styles were still dominant. Composer says of the influence of European styles: "The young American music is hill from aesthetic elements that hasn't been digested". This had led to an almost complete disregard for native folklore and tradition. From 1900 onwards, music began to take a more central place in Chilean society. The first Chilean recording label, Fonografía Artística (which produced both cylinders and discs), began its functions in Santiago around 1908. In 1912 the "Orchestral Society of Chile" was created and, over the next year, performed the nine symphonies of Beethoven, published the journal "La Orquesta" (The Orchestra), and debuted performances of Bach. Influential families began to cultivate music and take part in the creation of music appreciation societies.
1961 saw the launch of the "Folkloric Weeks", an event organized by the Institute of Music Research.
전체 글 읽기: Music of Chile 본문 라이선스: CC BY-SA 4.0
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