France的音樂

根源與傳統

Classical music

French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period. The fiddle was their instrument of choice. By the end of the 12th century, a form of song called the motet arose, accompanied by traveling musicians called jongleurs. In the 14th century, France produced two notable styles of music, Ars Nova and Ars Subtilior

Burgundy, which was the mostly French-speaking area unified with the Kingdom of France in 1477, had become a major center for musical development in the musical continent Europe. This was followed by the rise of chansons and the Burgundian School.

流行音樂

20th century

The early 20th century saw neo-classical music flourish in France, especially composers such as Lili Boulanger, Nadia Boulanger, Albert Roussel and Les Six, a group of musicians who gathered around Satie. Later in the century, Olivier Messiaen, Henri Dutilleux and Pierre Boulez proved influential. The latter was a leading figure of Serialism while Messiaen incorporated Asian (particularly Indian) influences and bird song and Dutilleux translated the innovations of Debussy, Bartók and Stravinsky into his own, very personal, musical idiom. The most important French contribution to musical innovation of the past 35 years is a form of computer-assisted composition called "spectral music". The astonishing technical advances of the spectralist composers in the 1970s are only recently beginning to achieve wide recognition in the United States; major composers in this vein include Gérard Grisey, Tristan Murail, and Claude Vivier.