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Musik von Haiti

Son, rumba and danzón from Cuba, Haitian vodou drumming and kompa, Jamaican mento, ska and reggae, calypso and steelpan from Trinidad, bouyon and cadence-lypso in Dominica, tumba and tambú on Curaçao.

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Gesungen und gesucht auf Haitian Creole, French. Der YouTube-Knopf oben kann Ihre Suche in dieser Sprache ausführen.

Aus Wikipedia · auf Englisch

The Music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creole, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.

Music of Haiti in der Wikipedia Text unter CC BY-SA 4.0

Wurzeln und Traditionen

Folk dance music

Carabinier (or Karabinye) is a Haitian traditional dance style that is said to be created by Euphémie Daguilh, one of Dessalines' mistresses. The dance is said to be created for the Haitian soldiers during the Haitian Revolution, and meant to be danced with their carabine strap to their back, hence the name. Dessalines himself was an excellent karabinye dancer according to oral and written tradition. Karabinye is named after carabine straps which Haitian soldiers used during the Haitian revolution.

Méringue is a guitar-based style historically connected to merengue but without the use of the accordion. The blend of African and European cultures has created popular dance music, music played on simple acoustic instruments. Méringue has lost popularity to kompa.

Populäre Musik

Popular music

Compas, short for compas direct, is the modern méringue (mereng in creole) that was popularized in the mid-1950s by the sax and guitar player Nemours Jean-Baptiste. His méringue soon became popular throughout the Antilles, especially in Martinique and Guadeloupe. Webert Sicot and Nemours Jean-Baptiste became the two leaders in the group. Sicot then left and formed a new group and an intense rivalry developed, though they remained good friends. To differentiate himself from Nemours, Sicot called his modern méringue, cadence rampa. In Creole, it is spelled as konpa dirèk or simply konpa. It is commonly spelled as it is pronounced as kompa.

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Läuft gerade

Was Haiti 2026 hört

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Artikel

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Live-Radio

Radio aus Haiti

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