Musik von Netherlands

Wurzeln und Traditionen

Folk

Dutch folk music, is characterized by simple straightforward bass motives heavily supplemented with fast, often happy, melody. (Click here for an example.) Uncommon among other European folk, in Dutch music the bass line, not the melody, is the musical line that is danced to. This means that though the music itself may sound fast, the dances are usually quite moderate to slow in tempo. The dances themselves are mainly group dances rather than individual or dual dances. Clogs are often worn during dances; however, Dutch clog dancing is very different from its more modern counterpart. It is virtually impossible to perform highly active dances with Dutch clogs (which are entirely made from wood, not just the sole) and hence the clogs function as additional percussion, by stamping rhythmically.

In the early 19th century, rural Dutch folk began moving to cities like Amsterdam and Rotterdam, bringing with them folk traditions. Many of their songs and dances, however, began to dwindle in popularity.

Populäre Musik

Classical and contemporary classical music

Jan Pieterszoon Sweelinck (May 1562 – October 16, 1621) was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. Sweelinck was a master improviser, and acquired the informal title of the "Orpheus of Amsterdam". Over 70 keyboard works of his have survived, and many of them may be similar to the improvisations that residents of Amsterdam around 1600 were likely to have heard. Even his vocal music, which is more conservative than his keyboard writing, shows a striking rhythmic complexity and an unusual richness of contrapuntal devices. His influence was international. Some of his music appears in the Fitzwilliam Virginal Book, which otherwise mainly contains the work of English composers. Sweelinck wrote variations on John Dowland's internationally famous Lachrimae Pavane, and John Bull, the English keyboard composer, wrote a set of variations on a theme of Sweelinck, indicating the close connection between the different schools of composition across the North Sea. Jacob van Eyck (ca.