Ana sayfa› Africa›West Africa›Ghana
Ghana müziği
Home of the griot/jeli tradition, the kora and balafon, Afrobeat, Highlife, Mbalax and the desert blues of the Sahel.
Kökler ve gelenekler
Traditional music
The traditional musicology of Ghana may be divided geographically between the open and vast savanna area of northern Ghana inhabited by Ghanaians of Gur and Mande speaking groups and the southern forested and coastal areas, inhabited by Ghanaians speaking Kwa languages such as Akan.
The northern musical traditions belong to the wider Sahelian musical traditions. It features a mix of melodic composition on stringed instruments such as the kologo lute and the gonjey fiddle, wind instruments such as flutes and horns, and voice; with polyrhythms clapped or played on the talking drum, gourd drums or brekete bass drums. The tradition of gyil music (balafon) is also common, especially in northwestern Ghana around Wa and Lawra. Music in the northern styles is mostly set to a minor pentatonic or chromatic scale and melisma plays an important part in melodic and vocal styles. There is a long history of either griot or praise-singing traditions.
Popüler müzik
Mid-20th century and the invention of Ghanaian pop
Ghana became an independent nation in 1957. The music of Ghana often reflects a Caribbean influence, yet it still retains a flavour on its own. While pan-Ghanaian music had been developed for some time, the middle of the 20th century saw the development of distinctly Ghanaian pop music. High-life incorporated elements of swing, jazz, rock, ska and soukous. To a much lesser extent, Ghanaian musicians found success in the United States and, briefly, the United Kingdom with the surprise success of Osibisa's Afro-rock in the 1970s.
In the 1930s, Sam's Trio, led by Jacob Sam (Kwame Asare), was the most influential of the high-life guitar-bands. Their "Yaa Amponsah", three versions of which were recorded in 1928 for Zonophone, was a major hit that remains a popular staple of numerous high-life bands. The next major guitar-band leader was E. K. Nyame, who sang in Twi. Nyame also added the double bass and more elements of the Western hemisphere, including jazz and Cuban music on the recommendation of his producer and manager E. Newman-Adjiri.
Yazının tamamını okuyun: Music of Ghana Metin lisansı: CC BY-SA 4.0
Şimdi dinlenenler
Ghana 2026 yılında ne dinliyor
Yazılar
Ghana için henüz yazı yok. Bir Markdown dosyasını content/articles/ klasörüne
country: Ghana satırıyla ön bilgisine kaydedin.
Canlı radyo
Ghana radyosu
Yalnızca müzik; haber ya da sohbet yok. Yerel geleneği çalan istasyonlar önce, sonra en çok dinlenenler gelir. Sayfanın köşesinde çalarlar.
İstasyon dizini: Radio Browser Yayınlar her istasyonun kendi sunucusundan gelir.
Daha fazla okuma
Ghana müziği üzerine açık erişimli araştırmalar. Her biri ücretsiz okunabilir.
- The Hiplife in Ghana
- Glocalization Trends: The Case of Hiplife Music in Contemporary Ghana
- Hiplife Music in Ghana: Postcolonial Performances of the Good Life
- Keeping Our Story: Preservation of Audio Visual Archives in Ghana
- Ghanaian highlife sound recordings of the 1970s: the legacy of Francis Kwakye and the Ghana Film Studio
OpenAlex tarafından dizinlendi toplam 207 açık erişimli çalışma Üst veri lisansı: CC0 1.0